Best Web Services for Independent Musicians

Well, I’ve finally been dragged into the Pinterest milieu. Last week I posted my first “board”: Best Web Services for Bands and Musicians. I give the rundown on each of the web-based services I would recommend to musicians, and provide pricing info as well. Please check it out and comment if you’ve used any of these services.

Cataloguing the best online services for bands has been something of a pastime for me since my early, pre-2000 days of digital music blogging, so it’s nice to return with something much more publicly visible.

Certainly, the list of worthwhile web services for bands has grown quite a bit. There are over 20 great services on my board, and more I’ve probably yet to discover or are about to launch.

So, which of these services should you enlist with? It depends on where you are in your musical career, but even professional musicians will find something that can boost their revenue. In terms of budget, there’s something for everyone — these services range from free with a standard 10-20% revenue share to flat subscription and submission fees. Ultimately, my advice is to take it one service at a time and build slowly and strategically, out from the core of a strong band website. As always, none of this will matter if your music is no good, so don’t squander your hard-earned money until you’re confident in your songwriting and production skills.

Check out the Pinterest board for all the services, here is an overview:

Band Website: It’s hard to beat Bandcamp for setting up a band website with your music, and allowing fans to buy it directly from you. Other honorable mentions include BandPage, Bandzoogle and CDBaby. CASH Music is an exciting new open-source band website project that should pique the interest of developers. For less development-inclined but somewhat tech-savvy website construction TopSpin is leading the industry with a suite of widgets for band websites and social pages that accomplish pretty much anything you’d want a band website to do, with a focus on generating revenue.

Band Marketing: There are a number of great marketing avenues for bands. MusicHype is a great way to identify and engage your top fans. FanBridge is an easy-to-use email and social marketing platform purpose-built for bands. These specialized tools are simple compared to ReverbNation, which basically does anything you could think of in terms of band marketing.

Band Booking: SonicBids has been around forever and is still very useful for the right band to land the right gig. Indaba Music is a newcomer that helps match bands with music industry opportunities, including shows.

Crowd Funding: Sellaband predates Kickstarter as a powerful fundraising platform for musicians primarily based in Europe looking to support large production and marketing efforts. Pledge Music is a fairly new crowd funding platform that deserves attention for being purpose-built for musicians.

Digital Distribution: There are a number of solutions here, and which is right for you depends on your projected sales. CDBaby.com is best for musicians who expect to sell a low volume over a long period of time, as their one-time fee of $50 for album setup and low 9% royalty rate. For those who want to target specific digital distributors, ONErpm features low submission fees and no annual recurring cost. Finally, if you expect to net at least $100 in revenue from album sales, you might want to check out TuneCore, which takes 0% of your revenue but charges a recurring $50 per year fee whether you’re selling or not.

Music Licensing / A&R: MusicXRay, SoundOut, Taxi.com and Pump Audio are great low-risk options to get your music licensed. Which one works best for you ultimately depends on the type of music you play, and your expectations for licensing fees and opportunities.

Music Lessons: Independent musicians teaching amateur musicians is a growing revenue stream, and Bandhappy helps connect teachers with students to make lessons happen across web video connections or even in person.

Response to Tunecore CEO Jeff Price’s Grooveshark Diatribe: Music Should Be Free, Sorry About Your Business Model

This comment was posted to a blog post by Tunecore CEO Jeff Price which launches both personal and professional attacks on Grooveshark. Grooveshark’s CEO Sam Tarantino quickly shot back with 6 reason by music should be free, all six of which I agree with. Tunecore makes its money charing a flat $50 fee to musicians in exchange for digital distribution (and 100% of royalties, minus the sizeable chunk the distributor removes). Grooveshark is an ad-supported global jukebox. Unfortunately, they have become a scapegoat for the low compensation musicians are receiving from digital music, when really this is a problem endemic in the industry.

I was so incensed by Price’s hollow and mean-spirited diatribe I had to respond — you might want to read the original post to put the following in context:

To say that Tunecore “does not earn its money off the sale of the music” is preposterous and misleading. Who is drinking whose own Kool-Aid here? You may charge a flat rate, but without digital music sales (ie if music were freely distributed as it should be), you would not be able to charge a fee.

This is a classic case of “the dinosaur’s tail doesn’t know its brain is dead yet.”

As a musician, I always appreciated the service Tunecore provided as a cost-effective way for musicians to “play the game”. But it’s alienating diatribes like yours that bring me closer to the conviction that a world of free music is the inevitable and far better solution.

How about you stop whining and use some of those profits to fight for a better deal from iTunes etc. for artists?

The current system does not compensate us fairly, from the top (Eminem) to the bottom (most musicians). You do nothing but make it easier for us to be compensated unfairly.

Yes, of course musicians want to be paid for use of their music. That’s called licensing. Listening to music via the global jukebox is a different and fair use.

You’re completely missing the point. Those of us who have already accepted that music will and must be free don’t care if Grooveshark is banking off our streams. They provide an incredible platform to distribute our music! What is the alternative, $0.005 per play? Musicians simply don’t feel the way you characterize them in your post, and I for one resent it.

I’m sorry you’re not in the 360 licensing or concert businesses. I don’t think Tunecore has much of a future with the rotten, condescending attitude you’re displaying. I don’t hear an ounce of fighting for musicians in your argument — how about using some profits to lobby the digital distribution cartel for a much-deserved greater royalty for artists? Or do you just spew ad hominem attacks and vitriol at your competition in hopes that mean words will make the problems with your business model go away? I certainly won’t be returning as a customer.